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Tambuco
Quindecim Recordings QP-004 |
Album of contrasting sonorities, coloristic deployments of great richness and a fiercful interpretation. This CD represents the beginning of Tambuco's constant discographic progress. |
| Composer |
Title |
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| Henk de Vlieger |
Toccata |
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| Raúl Tudón |
Cuarteto #2 |
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| Paul Barker |
Four Quartets in Three Movements |
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| Eduardo Soto |
Corazón Sur |
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| Santiago Ojeda |
Zappaloapan |
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| Tradicional |
Música Tradicional para djembes |
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Japanese Percussion Music
Quindecim Recordings QP-005 |
From it's debut concert, Tambuco has always enjoyed a growing relation with japanese music, performers and creators. They have interacted constantly, premiering works and touring both Japan and Mexico performing japanese repertoire. This collaborative process is at its peak and keeps growing stronger as time goes by. |
| Composer |
Title |
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| Akira Nishimura |
Ketiak |
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| Jo Kondo |
A Volcano Mouth |
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| Takehito Shimazu |
Critical Point |
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| Toru Takemitsu |
Rain Tree |
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| Keiko Abe |
Conversation in the Forest |
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Rítmicas
Dorian Recordings DOR-90245 |
The Audiophile Audition acknowledged this CD as one of the best recordings released in 1997.
This CD includes premiere works dedicated to Tambuco, as well as a brillant performance of "Rítmicas 5 y 6", historic work which is considered as the first work for percussion ensemble. |
| Composer |
Title |
|
| Gabriela Ortiz |
Altar de Neón |
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| Amadeo Roldán |
Rítmicas 5 & 6 |
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| Eugenio Toussaint |
La Chunga de la Jungla |
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| Santiago Ojeda |
Zappaloapan |
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| Minoru Miki |
Marimba Spiritual |
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| Graham Fitkin |
Hook |
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CarlosChávez
Chamber Works
with Eduardo Mata
Dorian Recordings DOR-90215 |
This is the last recording of Mexico's greatest conductor in collaboration with Tambuco. This CdD has already become a classic recording that allow us to admire Maestro Mata's expresive capability and a master interpretation of Carlos Chávez percussion works, limestone for classical percussion literature. |
| Title |
|
| Xochipilli, Música Azteca Imaginada |
|
| Tambuco |
|
| Toccata para Instrumentos de Percusión |
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World Premiere Recordings
Quindecim Recordings QP-1081 |
The selected repertoire for this fascinating CD is an interesting array of works never released before, many of which were written specially for Tambuco and nowadays considered fundamental reference of Mexican percussion repertoire.
Includes works by Javier Alvarez, Carlos Sánchez-Gutiérrez, Gonzalo Macías, Mario Lavista and Ignacio Baca-Lobera. |
| Composer |
Title |
|
| Mario Lavista |
Danza Isorrítmica |
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| Gonzalo Macías |
Soufflée |
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| Carlos Sánchez- Gutiérrez |
Danza-Contradanza II |
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| Ignacio Baca-Lobera |
Fase II |
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| Javier Alvarez |
Nocturno y Toque |
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Iberoamerican
Series Vol. I Colombia
Quindecim Recordings QP-116 |
With this release, Tambuco announces the beginning of an important project devoted to record the inmense variety of musical voices and ideas coming from important Iberoamerican creators with whom Tambuco has collaborated. This CD Shows diverse musical thoughts coming from the great Iberoamerican cultures; New voices alongside established ones, all of them enjoying great craftmanship and artistry. as magic and colourful as the culture that originated them. |
| Composer |
Title |
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| Alexandra Cardenas |
de los tiempos del ruido |
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| Leopoldo Novoa |
Sábe cómo eh? |
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| Rodolfo Acosta |
Canto per Klaus |
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| Claudia Calderón |
Albores |
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| Leonardo Idrobo |
Figuras |
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| Johann Hasler |
Acróstico |
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| Iberoamerican Series Vol. II Spain |
Second volume of Tambuco's Iberoamerican Series, dedicated to the creative work of composers rom Spain, most of which have worked alongside Tambuco, sharing their time their music and their ideas. Tambuco has been very lucky to work with them in diverse occasions. Tambuco ha tenido la fortuna de trabajar con ellos en diferentes ocasiones. The repertoire of this CD is the result of such collaborations.
These works are just a small example of the great patrimony of percussion literature that Spain has accumulated over the passing of time. The composers featured in this CD belong to diverse generations and their presence make us perceive the multi-generational and multi-cultural profile in music of today's Spain. |
| Composer |
Title |
|
| José Luis Castillo |
Estudio Geométrico 1 |
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| Miki Campins |
Shiver |
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| Josep Soler |
Sonidos de la Noche |
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| Rodolfo Halffter |
Paquiliztli |
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| Francisco Guerrero |
Acte Préalable |
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| Luis de Pablo |
Le Prie-Dieu sur la Terasse |
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| Tambuco |
Tambuco por Bulerías |
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Carlos Chávez Complete Chamber Music Vol. III
Cambria Master Recordings |
Three time GRAMMY Award Nominee Album including Best Classical Album, This volume is the result of an ongoing international collaboration between Southwest Chamber Music and the Tambuco Percussion Ensemble in Mexico. Volume 3 features the complete music for percussion and the complete music for voice and instruments with Alba Quezada and Los Angeles Opera mezzo- soprano Suzanna Gúzman. |
 Three GRAMMY Award Nominations
Best Classical Album
Best Small Chamber Ensemble
Best Latin Classical Album
| Title |
|
| Xochipilli, an Imagined Aztec Music |
|
| Toccata, for six percussionists (1st mov) |
|
| Toccata, for six percussionists (3rd mov) |
|
| Tambuco, for six percussionists |
|
| Partita, for solo timpani (Gigue) |
|
|
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William Kraft
Encounters
Tambuco and Southwest
Chamber Music
Cambria Master Recordings
|
Celebrating the 85th birthday of William Kraft, one of America’s most important composers and percussionists, GRAMMY®-winning Southwest Chamber Music, the Tambuco Percussion Ensemble of Mexico and Cambria Master Recordings are proud to announce the release of a major survey of Kraft’s Encounters. This new three-CD release celebrates the 25th recording of Southwest Chamber Music and fills a major gap in the recorded discography of American music.
The set contains over three hours of groundbreaking music that establishes the percussionist as a formidable soloist with various other solo instruments, such as trombone, violin, and cello. The three CDs span fourteen Encounters, documenting a compositional journey that began in the 1960s and will certainly continue with more Encounters in the future. |
| Title |
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| Encounters I: Soliloquy, for Solo Percussion and Tape |
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| Encounters IV: Duel for Trombone and Percussion |
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| Encounters VI: Concertino for RotoToms and Percussion Quartet |
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| Encounters XII: The Gabriellic Foray, for Harp and Percussion |
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